I work in television, but I live for images.
Whether it’s finding the story in a single brushstroke or capturing the weight of quiet through a lens, my world revolves around how things feel — as much as how they look.
By day, I’m a TV producer, guiding stories from pitch to final cut. I’ve spent years learning how to hide the seams — where the edit ends, and the emotion begins.
after hours on set or in edits, the Chaos stops, the pace slows. My focus narrows. I reach for paint or a camera and create work that doesn’t rely on scripts or timecodes.
Both worlds — TV and art — ask for the same thing: attention. To detail. To tone. To what’s not being said. in both, the magic happens when you make the process invisible. A moment just is, and if I’ve done my job right, it lingers.
I've taught myself tools & skills — Photoshop, After Effects, Resolve, AVID, Film photography, sketching, paiting all to tell stories. To make something feel honest. Whether it's for millions on screen or just one person in a gallery.
I’m lucky. My work and my hobbies speak the same language. I make pictures. I tell stories. And between the two, I get to spend my days doing something I care about.
That’s more than enough.
